Another painting in my Goddess Series is Spider Woman. I’m not doing the goddess series in any order, other than they way that they come to me; nor do I have any idea how many paintings will complete the series, I’ll let them determine that. This is a great educational process and fantastic artistic journey!

Spider Woman is an important goddess among many southwestern Native American tribes.  Spider Woman is responsible for bringing fire to the Pueblo, Tewa and Kiwa tribes.

For the Hopi tribes, Spider Woman is a creator of the moon, and their  emergence into the world. Spider Woman has the power to give and take life, and is connected to hunting and agriculture.

Cherokee Grandmother Spider brought people the sun and fire. She taught them pottery, weaving, and how to make ceremonial blessings.

The great blessings and history of Spider Woman will not “expire“ and will continue to be a wonderful tradition in Native American culture. Remember to pass on your cultural and family traditions so that they will live on for generations to come!

Work-In-Progress: The Spider Woman painting started out as a graphite sketch, proceeding to mix media including: ink, watercolor, acrylic and finally a light glaze of oil paint! It was a timely process, but so worth the luminosity that cannot be seen on any screen version!

Much of the folklore regarding women was subterranean, to the mainstream for many generations; but they were and continue to be very much alive in the cultures from which they came.

In the Native American (Navajo) culture, “Changing Woman – “Estsanatlehi” comes closest to being the personification of the Earth and of the natural order of the Universe as to any other brief way of describing her. She represents the cyclical path of the Seasons, Birth (Spring), Maturing (Summer), Growing old (Fall) and Dying (Winter), only to be reborn again in the Spring.”

To learn more about the Native American Changing Woman:

http://www.firstpeople.us/FP-Html-Legends/Changing_Woman-Navajo.html

I’m happy that these great stories are not lost! Discovering these stories continues to be an amazing and educational process for me.

Please remember, this is my artistic attempt in the imagery of Changing Woman. Native Americans carry the true image in their culture, hearts and souls.

WORK PROCESS:

I knew the image would be woman-centered, and exploring the great folklore of goddesses. I always start out tentatively with a light graphite sketch and then strengthen my line work as I progress. This image started with (3) circles. I’m partial to circles (hmmm…I should probably explore that more!) :)

The first woman in the process of creating this art, was the elder woman, in the center. I am fascinated by elder women because of their experiences, wisdom and their life choices, (and/or how life chooses them).  Then from that point on, the image led me. I’m not sure where this goddess series is leading me, but I am following the artistic muse.

When I think of bravery, women always come to mind.

Women are brave in caring for their loved ones; brave in how they carry out their work; brave in love and war;  brave in transitioning the end of life. Women are the greatest creation in humanity.

Celebrate all women in your life! Learn about how Women’s History Month came into existence (click on link) and Happy Women’s History Month!

Work in Progress is shown below: part of the small and large scale goddesses I’m working on.

Dictionary.com defines the word “perspective” in (7) ways, I chose the following definitions to describe my image viewpoint:

a technique of depicting volumes and spatial relationships

on a flat surface;

a visible scene, esp. one extending to a distance;

the state of existing in space before the eye; 

the state of one’s ideas, the facts known to one, etc.

a mental view or prospect.

P.S. Here is the work in progress:

It is done! What began as night pacing (see my December 6, 2009 blog post); has culminated into the finale.

I am now in that stage where the crescendo has ended. I have the feeling of not being anchored; I am adrift, until I delve into the next project.  Of course, I’ll sketch and create, but it is a different energy than being possessed by a painting screaming to get out!

Sometimes the best way to describe the creative zone, would be mania, crescendo, then an anti-climatic feeling sets in, finally a sadness that it’s over; and then peace,

but…then it starts all over again.

Remember to nurture your body, mind and spirit and being adrift may mean letting go of control.

I want to thank you all who continue to support me, I feel loved. Peace to everyone.

(Mixed-Media/paper – “O’s Totem” – 22″x30″ Copyright 2010 Indigene)

I was in the “zone”, (which is the preoccupation of obsessively creating an image), becoming so strong in my mind’s eye, that I am only freed from the zone by completing the actual work.  I worked days, excessively on this image.

I know that I feel exposed when I show any part of the process to anyone outside the zone of my head.  I am aware that I am exposed.

I took breaks, but it is the night of another day of obsessing over every little piece of it, adding, subtracting, pacing around the work, only stopping to take nature’s breaks, which can be a nuisance when in the creative zone.

It is only when the image is getting near the final stages that I feel I have revealed my subject or an aspect of them in an honest approach.

Some of the details of my Work-In-Progress contain various symbols and snakes are one of them.

Some cultures hold snakes in high esteem while other cultures despised them. There are cultures that associated snakes with medicinal powers or rebirth, such as the modern medical symbol of two snakes wrapped around a staff.

The Judeo-Christian culture does not hold snakes or serpent in a kind light. The biblical tales of the Garden of Eden and the serpent’s role in “tempting woman to trick man into the fall from God’s grace” have contributed to the negative images of snakes in western culture.  This deep rooted cultural biases accounts in part for the widespread of fear and disdain of snakes.  Myths, legends, and folk tales contribute to the misinformation and add to the snake’s negative imagery.

Cultures are as valid as the people who come from them and as with all living entities, there are positive and negative aspects, snakes are no different.

The imagery of the snakes in the details of this portrait embrace the concept of healer, rebirth and revitalization.

I’m sure that this spiritual portrait will be serve as a conversation piece, dependent upon the view or viewers!

Usually, I do not show my work in progress, (it is often a muddy or murky process);

But, since I do photograph the progress for my own records, I’m merging my inner work with my outer practice more in 2010. So in trusting my own process, I believe it has to be a sharing process, albeit a scary one!

Currently, I’m working on a portrait of someone, who is so full of love and compassion, “to be of service to others,” her own words, is her soul’s ministry. I’m doing this portrait based on poetry of hers, dreams and symbols that correlates with this individual. I want this portrait to be an expression of her inner self, a snapshot of her inner world and indicator of her spirit. I’ve combined her offerings of self with my vision, feelings and personal expression to create an overall sense of this person.

Whether it is a portrait or not, it is always a process of self discovery.  I’ll be doing this over several posts…

I am sleeping badly. My mind and body feels tired, but as soon as I lie down, my mind becomes alert, goes into overdrive and over-active. I paced the floor or I read until the early hours of the morning, then I finally fall asleep.

My norm is hyper-sensitive, anxious and quick to become annoyed. My voice trembles, not from anger, but from passion. about what I believe in. When I was younger, people thought, it was nervousness or some type of rage; my inner tensions were so great, I had debilitating migraine headaches. After intense mental, emotional and spiritual therapy, the end result is and was that I need art to be a part of my daily life, no matter what!

It is when I’m actually making art, which includes the doodling, the scribbling, random notes to myself, research, reference-taking photos and finally putting the materials together for some unknown art project, I feel like relief, normal, calm and pleasant to be around. The world then feels right for me.

When I am not making art, (either by trying to avoid it, because I’m not sure what I’m going to do next – or because I have to put that art on hold because I’m trying to care for my family and others, (at the risk of forsaking myself), I return to that state of uneasiness and depression. This state becomes even more intensified, when external things are happening, outside of my control, such as the cancer running rampant in my loved ones.

Maybe my sleeplessness has something to do with trying to stop these things from coming out in my artwork, revealing myself. I am going to have to just let it all out. Otherwise, I’ll only tear myself up inside. Maybe that’s what these revelatory ramblings are about…“entanglement“, now maybe peace and sleep can come, it’s morning.

For you, fine artist bloggers, I’ve found another great place for professional artists to network and to promote themselves. No, pFAn (their acronym) is not paying me for the advertising plug, I think of it as another way to promote yourself, if you’re an artist and it’s free until the end of the year! We artists, who are depending on our livelihood, should check it out. I’m an artist that shares and every artist has something to share and the world is big enough for all of us to do so.

Professional Artist Network is a networking index for fine artists and consultants working in the hospitality, healthcare, corporate and public art sectors.

It is located at: http://professionalfineartnetwork.blogspot.com

Here is my Member Profile:

Member Profile – Indigene Gaskin

Website/Blog: http://indigeneart.com
“Illuminating the black and white of life with vivid color”

For Originals, Commissions or illustrations, contact: indigene@indigenart.com

Mugs, Totes & More at:http://www.cafepress.com/indigeneart

For various print sizes, framed Prints and more:http://Indigene.imagekind.com/

My art process is a transformative blending of materials, light and spiritual intent. My creations are a healing meditation, a living gateway that combines the varied language of symbolism. The finished painting is usually 10-20 layers of sheer color with delicate glazes. The artistic techniques are a fusion of many traditional forms of creating art.

(Painting: Oil/Canvas; 30″x40″ Commission)